Studio

🜁 🜃 🜂 🜄

weaving sacred threads

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stone + water

soil + root

blood + bone

· mystical fiber art honoring the life-death-life cycle ·


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Welcome to my studio, where I share my current creative projects and process. As an intuitive death and grief work artist, I create sacred fiber art in conversation with the Great Mother, Ancestors, Spirit Guides, and our more-than-human kin.


My creative explorations dance with themes of death, grief, loss, healing, ancestral reconnection, initiation, and rebirth. I don’t have any “formal” training, but have apprenticed myself to the spirit of my death work art, listening for the heartbeat of what wants to come through and finding techniques and pathways to bring each being forward.

As a death worker, I am apprenticed to both the becoming and the unraveling. I see creativity as a practice of shedding and reweaving, encouraging us to release old stories and create space for new truths to emerge. It invites us to open to the unknown and to embrace uncertainty.

My art is also a form of cultural reclamation that allows me to (re)connect with my ancestors of blood, bone, and spirit in a very real, tangible way.

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Remembering & Reweaving

On recognizing myself as a conduit for Spirit + Magick

I began making spirit dolls and talismans in October of 2022. Since then, I’ve created many dolls, focused primarily on honoring thresholds, carrying grief, heart healing, ancestral connection, death, and rebirth.

On the 3rd anniversary of stepping onto the path of the doll maker, over the 2025 Samhain portal, I felt called to reweave the vessel of my very first spirit doll. The Ancestor was a part of a course I took with Julia Inglis, which shaped the beginning of my several years long, self-guided doll-making apprenticeship.

Though that doll was incredibly special to me, her soft body had warped over time. I knew I would have to recreate her, and I grieved letting go of the old doll. Yet the process of reweaving turned out to be a gift. It invited me to create a doll that reflected more of my own artistry - rather than simply shaping a doll identical to the one that I was instructed to make during that course. It reminded me that the magic and the medicine of the doll - which I initially believed could only come when guided by a teacher - lies in my own breath, blood, bones, and spirit.

This seemingly small act of reworking and reweaving my very first doll was a profound moment in my ancestral practice, my evolution as an artist, and my journey as an intuitive. The gift of granting oneself permission - of self-trust, of allowing one’s own artistic expression to unfold - is powerful. It has rippled out into so many aspects of my life and is shaping my death work in ways that I have yet to fully comprehend.

Below is the rewoven ancestor doll - still in progress. Unlike the first doll (which was a simple doll of solid white wool), she wants to come alive with the colors and textures of my ancestors. Today she is sitting on my ancestor alar and waiting patiently for the next phase of her becoming.

We’ll both know when the time is right.

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The Ancestor, carrying yarrow, rosemary, California poppy, calendula, rose, mugwort, hawthorn berries, nettle, and moss. (2025)

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Studio Updates

November 2026

For the past 4 years, I’ve focused mainly on hand-crafted, one-of-a-kind needle-felted dolls and talismans honoring the sacred thresholds of life, death, and rebirth. This fall, as I finished up my death work apprenticeship, I followed the call and took the next step of my personal journey as a fiber artist. I apprenticed myself to Grandmother Spider, welcoming the wisdom of warp & weft, the drop spindle, and natural dyeing. I birthed my first cloth (a womb-belt woven on a small rigid-heddle loom) during a course with Rosemary Riedel-O’brien of Wild Rose Weaving. I’m looking forward to sharing more of my weaving and spinning here. 🕸️

ritual + altar companions


Current Projects


Embodied Grief…

…dolls representing the visceral experience of grief, made visible.


This series of grief dolls considers the questions: what does my grief feel like in my body? and what would my body look like if my grief were visible?

It explores the discomfort that visible displays of grief can bring up in others, alongside the relief we feel when we see our own grief reflected back to us.

I’ve begun working on the first two dolls in this collection - both hollow, one bent under the crushing weight of their grief.

I’m looking forward to sharing more of this project as it comes through.

Dollmaker’s Notebook

Spirit doll creation & process


Let’s stay in touch

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